20260527 Upekkhā Evening — Talk and Sit
🌿 Wednesday Evening — 27 May 2026
Upekkhā Evening — Full Plan
Total: ~90 min · Theme: Upekkhā / Equanimity
Sequence
| # | Segment | Time | Lead |
|---|---|---|---|
| 1 | Opening & Welcome | 5 min | You |
| 2 | Mindful Movement | 10 min | Amy |
| 3 | First Sitting — Energy & Soft Gaze | 20 min | You |
| 4 | Bio Break | 7–10 min | — |
| 5 | Dhamma Talk — Upekkhā | 15 min | You |
| 6 | Second Sitting — Push/Pull | 20 min | You |
| 7 | Q&A / Reflections | 10 min | You |
1. Opening & Welcome (5 min)
- Greet the room, brief settling
- Announcements
- Name tonight's theme: upekkhā / equanimity
- Handoff to Amy
2. Mindful Movement — Amy (10 min)
- Amy leads movement and brief settling
3. First Sitting — Energy & Soft Gaze (20 min)
Lengthened from this morning's 10-min sit. Ends with a bridge into the talk and second sitting.
I. Settling into Posture (3 min)
- Alert meditation posture — not just comfort, but a dignified upright
- Joseph Goldstein's image: a spine "as straight as we can manage, without being tight"
- Stack of quarters — a loose stack, not a paper roll
- Three big breaths in through the nose, brief hold, slow exhale
- Wiggle out any tightness — soft, not clenched
- Allow breath to return to normal
II. Establishing Awareness (3 min)
- Sitting and knowing we're sitting
- Connection with the earth — grounded
- Breezes, lack of breeze, warmth, cool
- The sensation of clothing on the body
- Whatever's present, allow it to be present and aware of it
- Silent rest
III. Teaching — Energy Without Agitation (2–3 min)
- Meditation often gets framed as becoming calm and peaceful — that isn't always the case
- We're really allowing ourselves to be present in the moment
- If that moment is calm, so be it. If it's drifty or sleepy — also normal. Even meditation leaders drift
- Tonight's practice: bring a little extra energy
- Not agitation — too much, unfocused
- Not sleepiness either
- A middle place: alert and soft
IV. First Weather Report (2 min)
- A weather report of the body as it is
- Just feeling how we are — what's present?
- Silent
V. [Poem Space — slot 1] (1–2 min)
Optional reading. Let it sit in silence afterward.
VI. Soft-Gaze Practice (3 min)
- Gently open the eyes — not wide, not focused
- Half-lidded, looking down
- Not naming what we see — just allowing a bit more light in
- Sit this way, curious
VII. Second Weather Check (1 min)
- How is this different?
- More energy? Nothing changed? More relaxed, even lethargic?
- All are fine
- Silent
VIII. Return: Eyes Closed (2 min)
- Close the eyes again
- Settle
- Check the internal weather once more
- Silent
IX. Bridge to the Evening (1–2 min)
The seam between this sit and what follows — opens the door to the talk.
- We adjusted just a little this morning — a touch of energy, a softening of the gaze
- That alert steadiness isn't separate from what we'll practice next — it's the ground
- In the talk and second sitting, we'll practice meeting what's here without adjusting it
- The bridge: sleepy equanimity collapses into indifference. The alertness we cultivated is what makes real upekkhā possible — warm steadiness, not cold distance
- Carry this alert, soft quality with you through the talk
X. Bell (≤1 min)
- A few quiet breaths
- Invite the bell
- "No need to hurry back"
4. Bio Break (7–10 min)
5. Dhamma Talk — Upekkhā (15 min)
I. Context + Transition (1 min)
- Acknowledge Amy's movement and the first sitting
- Bridge from first sit: the alert energy we just touched is the ground for tonight's theme — sleepy equanimity collapses into indifference; the energy we cultivated is what makes real upekkhā possible
- Common misconceptions of equanimity: numbness, detachment, indifference
- Reframe: warm steadiness, not cold distance
II. What Upekkhā Actually Means (2 min)
- "Staying steady with what's happening"
- "Not pushed around by every gust of experience"
- "Meeting the moment without collapsing or fighting"
- Not passivity or resignation
- A capacity of the heart, not a technique
III. Sutta Anchor — AN 10.208 (2 min)
- Brahmavihāra Sutta reference
- Quote: "A mind like the earth — not shaken by contact with the pure or the impure."
- Earth receives everything
- Not numb → vast
- Upekkhā as inner vastness
- Invite memory: "Some of you may remember how this landed last year"
IV. Everyday Equanimity — We Already Know This (3 min)
- Normalize: equanimity seems advanced
- Examples of micro-upekkhā:
- Traffic → nothing to do but wait
- Child meltdown → you stay steady
- Being sick → moment you stop fighting
- Long walk/bike → body tired, mind steady
- Washing dishes → just doing the next thing
- "We're not creating equanimity — we're recognizing and strengthening what's already here"
V. Why It Feels Harder in Meditation (2 min)
- Meditation removes distractions → everything louder
- Sensations vivid, emotions unbuffered
- Urge to fix, escape, indulge becomes obvious
- Paradox: where equanimity is most needed, it feels least available
- This is training, not failure
VI. Practicing Upekkhā in Real Time (3 min)
Three touchstones:
- Notice push/pull — Leaning toward? Leaning away?
- Let the breath be ordinary — not deep, not special; a place to rest
- Phrase: "This is how it is right now." Recognition, not resignation
VII. Upekkhā and Death — A Personal Bridge (1.5 min)
- Browsing at the bookstore — a poetry title caught my eye
- Jisei: Japanese death poems
- Final poems as clarity, not drama
- Equanimity at the threshold
- As a senior, this is not abstract — it lands differently now
- Not morbid → honest, grounding
- Equanimity becomes most meaningful when facing impermanence
VIII. [Poem Space — slot 2] (1 min)
Default below (Ryōkan); substitute or precede with jisei if desired.
Showing up,
I start to walk.
Leaving,
I turn to look back —
the path remains.
- Simple acknowledgment of the way things are
- No fear, no clinging
- The flavor of upekkhā
IX. Closing the Talk (30 sec)
- "Equanimity isn't the absence of difficulty — it's the absence of struggle with difficulty."
- "You don't have to feel equanimous to practice equanimity."
- Transition into the second sitting
6. Second Sitting — Push/Pull & "This Is How It Is" (20 min)
X. Settling (2 min)
- Comfortable, upright posture
- Contact points: seat, feet, hands
- Breath natural, unforced
- "Let the body be the body; let the breath be the breath"
XI. Establishing the Field (2 min)
- Whole-body awareness
- Soft, wide attention
- "Awareness like a soft light filling the room"
- Nothing to fix
XII. Introduce Equanimity Frame (1 min)
- "Meeting experience as it is"
- "Noticing push/pull"
- "Letting things be here without struggle"
XIII. Primary Practice — Push/Pull (5 min)
- Observe tendencies: grasping, resisting, tightening
- Quiet labels if helpful: pulling, pushing, tightening, softening
- Return to breath as needed
- Emphasize gentleness
XIV. Resting in Ordinary Breath (3 min)
- Breath as a resting place
- Nothing special
- Breathing happens on its own
- Let breath be the anchor for equanimity
XV. Equanimity Phrase (2 min)
- Phrase: "This is how it is right now."
- Use with sensations, emotions, wandering mind
- Recognition → space
XVI. Opening to the Whole Field (2 min)
- Widen awareness: body, breath, sounds, thoughts, emotions
- Let everything arise and pass
- "Just notice what's here and let it be here"
XVII. [Poem Space — slot 3] (1 min)
Optional closing reading. A jisei here can land especially well — clarity at the threshold meeting "this is how it is right now."
XVIII. Closing (2 min)
- Return to body sitting
- Contact points again
- Sense breath in whole body
- "Notice any steadiness present — even subtle"
- "Equanimity grows from these small moments of allowing"
- A few breaths of quiet → bell
7. Q&A / Reflections (10 min)
- Open the space for questions, reflections
- Listen for places where the bridge between adjusting (first sit) and allowing (second sit) might need clarifying
- Close with thanks
Poem Slots Summary
Three slots distributed across the evening — use any, all, or none:
- Slot 1: mid first sitting (after first weather report, before soft-gaze)
- Slot 2: talk Section VIII (currently Ryōkan; substitute or pair with jisei)
- Slot 3: late second sitting, before closing
If reading one from each of three sections of the jisei collection: slot 1 / slot 2 / slot 3 maps cleanly to early / middle / late in the arc.